Bracketing
Capturing a series of the same subject at deliberately different exposure values – the basis for HDR processing.
All images have a resolution of at least 100 megapixels.
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The key terms of real gigapixel photography – clearly explained, from capture to processing.
Capturing a series of the same subject at deliberately different exposure values – the basis for HDR processing.
Colour fringing at high-contrast edges, because a lens does not focus all wavelengths at exactly the same point.
The zone in front of and behind the focal plane that appears acceptably sharp. Depends on aperture, focal length and shooting distance.
Loss of sharpness from light diffraction at a very small aperture. Limits how much detail a lens can deliver regardless of sensor resolution.
The brightness range between the darkest and brightest detailed image areas a sensor can capture in one exposure.
A series of the same subject with the focal plane shifted step by step – the basis for focus stacking.
A photographic image with at least one billion pixels (1000 megapixels). Usually created by stitching many individual frames into one extremely detailed composite – without AI upscaling.
A methodology developed in our own practice that combines HDR exposure series with gigapixel stitching while handling moving image elements in a controlled way, rather than turning them into artefacts.
A technique that combines several differently exposed frames to render high-contrast subjects with detail retained in both highlights and shadows.
The focus distance that maximises depth of field – everything from half that distance to infinity appears sharp.
ISO controls the sensitivity of the capture. Higher ISO values allow shorter exposures but increase image noise.
Focus stacking applied to large format and gigapixel resolution: several focal planes are combined into continuous sharpness across very large image surfaces.
Image resolution in millions of pixels. Current cameras deliver 20 to 200 megapixels on the sensor — but the actually resolvable detail is usually lower, as lens and diffraction set limits.
A methodology developed in our own practice combining several deliberately chosen viewpoints within a single gigapixel image, to depict subjects more completely in space.
The point in the lens around which the camera must be rotated to avoid parallax error – more accurately called the no-parallax point.
A specialised tripod head that rotates the camera exactly around the nodal point, enabling parallax-free frames for panorama and gigapixel stitching.
The apparent shift of foreground against background when the camera is not rotated around the nodal point – the main cause of stitching errors.
The use of a polarising filter to reduce reflections, deepen colours and increase contrast – with particular considerations for panorama and gigapixel images.
The physical size of the image sensor. It affects rendering, noise behaviour and – via the crop factor – the effective angle of view of a focal length.
An image of at least one trillion pixels (1000 gigapixels), assembled from tens of thousands of frames. A single image in a special format – a rare special project.
A methodology developed in our own practice for creating terapixel-range images from tens of thousands of frames – the first terapixel image was produced in 2012 as a feasibility study.
Darkening towards the image edges and corners, caused by lens or aperture. Especially troublesome in stitching, as it creates visible brightness patterns.
Adjusting the colour temperature so that white appears neutral and colours look correct under different light.
The end-to-end control of colour reproduction from capture through editing to print, so that colours remain predictable and consistent across devices.
The defined range of reproducible colours. Common colour spaces are sRGB, AdobeRGB and Display-P3 – they differ in how many and which colours they encompass.
A standardised file describing a device's colour behaviour. A fundamental building block of colour management for correct cross-device colour translation.
A form of stitching joining offset frames into a wide panorama. The normal case is a wide section — full 360-degree surround views are a special case, not the rule.
The end-to-end processing of uncompressed camera RAW data – maximum latitude in exposure, colour and detail for high-quality large-format output.
The software-assisted joining of many overlapping individual frames into one seamless composite. The basic technique behind every gigapixel and panorama image.
Visible errors in the composited image – such as offset edges, ghosting or brightness jumps – caused by imprecise capture or assembly.
Mapping a high dynamic range into the displayable range of print or screen without losing detail in highlights and shadows.
A methodology developed in our own practice that produces gigapixel images reproducibly and at consistent quality in larger quantities, rather than treating them as one-off pieces.
DPI (dots per inch) indicates the number of print dots per inch a printer places. It must not be confused with image resolution (PPI) and is judged differently in large format than for small formats.
A printing method in which dye penetrates the material – usually textile – as a gas under heat. Produces brilliant, smudge- and wash-resistant results.
Printing methods for very large output formats – from wall images and exhibition surfaces to stretch ceilings. Places particular demands on image resolution and colour management.
Digital printing with water-based latex inks – low-odour, environmentally friendly and versatile, especially for indoor applications like photo wallpaper.
The distance between the centres of adjacent image points, usually in micrometres. At the output stage it determines how finely the image appears resolved.
PPI (pixels per inch) is the file's image resolution, DPI (dots per inch) the printer's dot density. The two are often confused but must be kept clearly apart.
All steps between the finished image file and printing – such as colour conversion, profile assignment, sharpening and format adjustment – that ensure correct print output.
A practical measure of how many image points are available per square metre of print area – decisive for whether a large format appears detailed.
A digital printing method in which UV-curing ink hardens immediately under UV light. Enables brilliant, smudge-proof prints on almost any material.
The distance from which a print is viewed. It largely determines what output resolution is needed for an image to appear sharp.
Image presentation behind or on acrylic glass. Creates depth, brilliant colours and an elegant, glossy impression.
A composite of two aluminium layers with a plastic core. Stable, light and perfectly flat – a popular image carrier for high-quality wall images.
Printing on textile canvas, usually stretched onto a frame. Gives motifs a classic, painterly character.
Methods that computationally enlarge an image, inventing additional pixels. The result looks more detailed but contains no genuinely captured detail.
A viewing technique allowing seamless, smooth zooming into extremely high-resolution images – based on a tile pyramid.
An image search that translates images and queries into numerical vectors (embeddings) and finds results by content similarity – not just by keywords.
A web-based viewer that makes very large images smoothly displayable via a tile pyramid – with seamless zoom down to the finest detail.
The ability of an optical system to render fine structures separately – often stated in line pairs per millimetre (MTF).
A tiered image structure of pre-computed tiles at several resolution levels, enabling smooth viewing and zooming of extremely large images in the browser.
A sound-absorbing wall element with a printed image motif. Combines room acoustics with large-format design.
Large-format image graphics for exhibition stands – from backlit walls to full cladding. Different viewing distances must be planned for.
A large-area printed wall covering with a photographic motif. Designs entire walls – resolution must match the wall size.
A printable, tensioned ceiling membrane onto which large-format image motifs are applied. A demanding application for high-resolution gigapixel images.